Released ca. early 1973, unless WCF’s 40XX series, which includes recordings taped in the fall of 1972, was issued with month-long gaps between them.

From the description on bobsboots.com, we know that WCF reissued this album as part of their folder-type cover series ca. 1974 but I have yet to find an image of this: “It has a folder type wrap-around sleeve with a black and green, or green and white cartoon insert of Harrison.”

The material is identical with the FRT BRK 1001 version. Considering how WCF was mainly a copy label, I feel it’s justified to claim that this version shown here came first.

 

 

HOT WACKS has contradicted itself for year in these two listings saying Bang Records 4022 contains excerpts from the second (evening) show) while claiming FRT BRK1001 is from the “afternoon concert, not evening from which Apple LP’s were made.”

Eight Arms To Hold You  confirms that this and The Greatest Show On Earth (Share Records GH-6699), later copied by CBM (or the other way around) as Madison Square Garden August 1, 1971 and issued in several different variations – stamped cover, insert, with Carnaby, Instant Analysis or blank labels (matrix: SAD 1 / 2) – do indeed come from the evening show.

 

All performances on the official double album were taken from the evening show, with the exception of “Wah Wah” (compiled from afternoon & evening show), “While My Guitar Gently Weeps” and Leon Russell’s medley, which were entirely taken from the afternoon multi-track tapes. That means The Greatest Show On Earth and the CBM issues remain core for WMGGW, while FRT BRK 1001 and the WCF copy are core for Leon Russell’s medley as well.

However, sine the audio quality for both masters seems to be rather challenging – “Satisfactory mono, a lot of crowd noise”and “Poor mono” for FRT BRK 1001/WCF 4022, this is for hardcore collectors only.

Track list for the two versions:

FRT BRK 1001 & WCF 4022 A/B:

A1 My Sweet Lord
A2 It Ain’t Easy
A3 Beware Of Darkness
A4 While My Guitar Gently Weeps
A5 Jumpin’ Jack Flash Medley
B1 That’s The Way God Planned It
B2 Mr Tambourine Man
B3 Just Like A Woman
B4 Something
B5 Bangla Desh

The Greatest Show On Earth & CBM issues:

A1 My Sweet Lord  4:12
A2 Beware Of Darkness  3:22
A3 While My Guitar Gently Weeps  4:20
A4 Here Comes The Sun  2:38
A5 Something  2:58
A6 Bangla Desh  4:14
B1 A Hard Rain’s Gonna Fall  5:27
B2 It Takes A Lot To Laugh, It Takes A Train To Cry  2:58
B3 Blowin’ In The Wind  3:38
B4 Mr. Tambourine Man  4:07
B5 Just Like A Woman  4:38

 

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Released ca. 1972/3 (if one believes that 4011, 4022, 4033 & 4044 were released without large time gaps between them as 4033/44 was only recorded in November of ’72)

Matrix: 4011 I / II x

 

And WCF’s 1973/4 folder style cover reissue.

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The original:

The second Rolling Stones by Ken & Dub (that was not a copy), released around June of 1971 with the ‘no border’ 1/2 labels, matrix: RS 507 A / B

Different labels and stickers came later. This is probably the first time the term “out take” was used on a record cover to refer to unused takes during a studio recording:

 

01. Memphis, Tennessee [02:13] 1963-09-23: Saturday Club, London, UK (tracks 01. – 02.)
02. Roll Over Beethoven [02:17]
03. Down in the Bottom [02:47] 1964-05-25: Saturday Club, London, UK (tracks 03. – 07.)
04. You Can Make It if You Try [02:13]
05. Route 66 [02:30]
06. Confessin’ The Blues [03:03]
07. Down The Road A Piece [01:43]
08. High-Heel Sneakers [02:38] 1964-04-13: Saturday Club, London, UK (tracks 08.-09., 10.-11. + 16.)
09. Beautiful Delilah [02:12]
10. Carol [02:25]
11. I Just Want to Make Love to You [02:12]
12. (I Can’t Get No) Satisfaction [04:00] 1965-08-20: ‘Saturday Club’ BBC, London (tracks 12. – 15.)
13. The Spider And The Fly [03:28]
14. Cry To Me [03:20]
15. Fanny Mae [02:18]
16. Walking The Dog [03:16]
17. Jumping Jack Flash [03:31] 1968-04-20: Olympic Sound Studios, London, UK, Studio Session

TMOQ re-pressings:

 

Reissues under a different label name:

  • with Dragonfly or Ruthless Rhymes labels and a different insert in the mid 70’s made by Vicki Vinyl using the 1835 TMOQ plates (a mcv version with grey labels and using the standard insert also exists)
  • Repressed as part of the The Black Box 3 LP set
  • A rather ugly picture disc made in the 90’s adds “Come On” (from SC 1963-09-23) and “I Wanna be Your Man” (from SC 1964-02-03) as the closing tracks on sides 1 & 2 (not shown).

***

All of these tracks were finally officially released in December of 2017 as THE ROLLING STONES ON AIR

 

 

 

  1. First insert version without a title:

Grateful Dead GD-2255Grateful Dead DS Rec

Released ca. 1972

Source: 1971 radio broadcast; even  the lostlivedead blog could not be bothered to research the exact source & date: “Dark Star is an Eastern bootleg, (…) It was an FM broadcast from Fall 71, with a great “Dark Star”>”Me And My Uncle”
The Dark Star bootleg included what appears to have been a late 71 “Dark Star,” with Keith Godchaux on piano. At this juncture, I have no interest in figuring out which show it was, but keep in mind that back in the mid-70s, it was literally impossible. There was no Deadbase, no Deadlists, no list of shows, much less setlists–we couldn’t even guess what it was. Unlike the Western “gatefold” albums, it had a conventional white cover with a pasted-on sheet.

Two comments from me: Re. “Eastern bootleg”, I would place WCF’s operations at this time somewhere in the vicinity of the state of Illinois.

Re. “Western “gatefold” albums”, which outfit on the West coast did gatefold covers in 1972? Dub & Ken/TMOQ sure did not. 

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2. Second insert version now titled DARK STAR:

I believe these all came with white labels as they fall into the period after WCF had given up creating individual ‘title labels’.

**

3. Reissued in a folder-style cover with an image of the artist on the back panel, ca. late 1973/4:

For some reason, the red version suffered from a significant loss of detail compared to the black one. Not the first time we have seen this in a WCF reissue.

**

4. Reissued as a fake Impossible Recordworks label release (IMP 2255):

Grateful Dead Dark Star b&w w.r.

Jethro Tull Flute Cake WCFJethro Tull Flute Cake lbl

Released around 1972 – 73

Source: Anaheim Convention Center, 19 October 1970 (often mis-dated to 1972, despite this being a 1970 set list, due to an error on the insert of a reissue – see below)

Track list:

A1 Nothing is Easy  (07:44)
A2 My God  (10:30)
A3 We Used to Know   (03:07)
B1 With You There to Help Me / By Kind Permission Of  (12:20)
B2 Song for Jeffrey  (04:56)
B3 Sossity, You’re a Woman  (05:20)

Typical Set list on this leg of the tour:

Nothing Is Easy
My God
With You There To Help Me/By Kind Permission Of…
A Song For Jeffrey
Sossity: You’re A Woman/Reasons For Waiting
Dharma For One

Encore:
We Used To Know
Guitar Solo
For A Thousand Mothers

**

A copy of this release:

 

 

Matrix: S-2585/S-2586

**

Two further releases that seem to be linked are the Freebooter and the TMOQ versions:

 

Silk-screened cover art.

The letter/number combination on the label is KW 215344, which happens to be the matrix for the TMOQ release. Based on TMOQ’s habit in ’71/’72 of giving their original releases a matrix consisting of initials identifying the artist and a 3-digit number, I tend to believe that this is a copy made by TMOQ. Their version dates to July of 1972.

 

And later editions:

 

Some of these copies with (smoking) pig labels have the new matrix 1828-A / B

Ruthless Rhymes/Vicky Vinyl re-issued this album from the TMOQ plates (Matrix KW-215344-A / B) in two different versions:

  • on mcv but using the “plant & cake” insert of the FC-888 version but with an added stamp
  • re-titled as JETHRO TULL MESS on black PVC with Ruthless Rhymes labels

 

 

In 1983, someone in Italy produced 300 red vinyl copies and about 50 in green with blank white labels, claiming TMOQ’s original pressing plate. The concert date was incorrectly stated as 1972.

 

Finally, in the late 1980’s, there was this rather tacky reissue:

From an auction description: “Cover is a black with xerox copies attached to front and back. The back of it has a xerox of Lady Di when her top fell down during some event, it doesn’t show anything, but the shock and horror of her expression says it all. The front has Ian backstage with 5 lovelies in female tuxedos with a plastic breast piece on each of them, one of the ladies appears to be Pamela Debarres (of 60’s rock groupie fame), but not positive on that. One of the back pics on the back is of Ian in make-up with the words “Jethro Tull Might Do Something Weird” on the bottom. Above that pic on the back is of 2 women where one is licking the others breast(whoever put this record out liked breasts apparently). I believe this is a reboot of the TMOQ release of Flute Cake. I like this one better personally.

Jethro Tull Di, Di, My Lovely 2

 

If you know the matrix number for this version or have any further info on any of the other versions, please leave a comment.

 

 

 

 

I would date this version to 1972/early 1973. However, there is another version with this matrix; it does not really look like a WCF product though:

 

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The origin of this album is well known. Following the success of LiveR Than You’ll Ever Be, Dub recorded Jethro Tull at the Long Beach Arena on 19 April 1970 and the performances of Sossity, You’re A Woman / Reasons For Waiting / My God (no exclamation mark) were mastered into the pressing plate for one side of Dub & Ken’s fifth ever production.

Tull Long Beach 1970
LONG BEACH ARENA ,CA.
APRIL 19, 1970

1 – TALK/TUNING
2 – NOTHING IS EASY
3 – TALK
4 – MY GOD
5 – TO CRY YOU A SONG
6 – WITH YOU THERE TO HELP ME
7 – SOSSITY, YOU’RE A WOMAN > REASONS FOR WAITING > SOSSITY, YOU’RE A WOMAN
8 – DHARMA FOR ONE
9 – WE USED TO KNOW > GUITAR SOLO > FOR A THOUSAND MOTHERS

Side two was filled with five pirated UK 45 B-sides. It was released around May of 1970 using colored vinyl and square labels with stamped covers.

At this pre-TMOQ stage, they still invented a new label name for each release and this was going to be Athapascan Records (the term originally refers to “a large family of indigenous languages of North America, located in western North America in three groups of contiguous languages: Northern, Pacific Coast and Southern (or Apachean)”. The matrix number was 20 1 / 2

The release was very successful and there were many copies, including on 8-Track. For some reason, most copies moved the live tracks to the second side.

Jethro Tull MY GOD!

Early CBM copy with matrix MG1

Dittolino renamed the album.

Here we have copies with matrix markings: MY GOD SIDE A / B

There are copies with Rutgers University labels adorned with a large stamp:

and a printed covers version with yellow labels bearing the number 63 122 (matrix markings: EL-A / B), which manages to misspell the name of the band:

**

Back to TMOQ versions:

Ken reissued the album ca. 1973/4 with the matrix numbers  1819-1 70-246-M / 1819-B 1/2-2 70-247-M

Jethro Tull My God ins

These can be found with farm or smoking pig symbols. This is one instance where Ken’s claim that that ‘farm pig = not always a Dub made LP’ and ‘smoking pig = not always a Ken made album’ holds true, as the 4-digit prefix gives it away as a later Ken pressing. This title can be found as part of the generic cartoon reissue series as well.

When Dub reissued this album together with his other Tull release Nothing Is Easy, the matrix numbers were ATHAPASCAN RECORDS IN CONCERT 20½ A / B  -or- 20½ – 1 70-246 M / 20½ – 1 70-247 M

Jethro Tull MG NIE red blu

 

 

 

 

I was not able to find an image for # 2235 JIM HENDRIX – ‘SCUSE ME WHILE I KISS THE SKY so that one will have to be skipped for now.

***

Three Tull copies, likely released by WCF in the 2nd half of 1972 – early 1973.

  1. U.S. TOUR  APRIL  1972   VOLUME II

Jethro Tull US Tour April 1972

 

The cover art “borrowed” from CBM down to a ‘T’.

WCF’s detailed album track list:

A1 Wind Up / instrumental by Martin Barre
A2 Locomotive Breath / Hard-Headed English General / Wind-Up Reprise
B1 Thick As A Brick pt. 1
B2 Thick AS A Brick pt. 1 (cont.)

Source: The Scope in Norfolk, VA on April 22, 1972.

Below, the CBM original with matrix markings 3426 for Side 1, which is identical to Á1+2 on the WCF album above but Side 2 is different, playing Cross-Eyed Mary / A New Day Yesterday / Aqualung – and the matrix is ‘3436-B JTB Scope’.

 

 

The two segments of “Thick As A Brick” on WCF’s Side 2 appear to be identical to plate ‘3436-A JTA Scope’ as released on CBM’s ticketron.

Jethro Tull ticketron RE

CBM created two plates for “Cross-Eyed Mary / A New Day Yesterday / Aqualung”: ‘3436-B JTB Scope’ – used for the titles ticketron & U.S. TOUR APRIL 1972 VOLUME II and ‘JTB 3420 3436B’ also used on Side 2 of BALTIMORE AND AROUND NOVEMBER 1972

Jethro Tull Baltimore And Around detail
Around 1975, CBM created yet another master plate as they needed to pair down the Norfolk material to two album sides for the rare double album RETROROC, combining it with LIVE MAY 1973. Just over six minutes of “Wind Up” were extracted and tacked on to “Thick As A Brick” and issued with the matrix number 3436 A (side 2 had the usual C-E M/A N D Y/AQ).

Jethro Tull RTRC

 

This is one of the most popular recordings from the “Thick as a Brick” tour and deservedly so: it’s a blistering and highly energetic performance captured on a great sounding audience tape.”Ticketron” was first issued with an edited version of part one of “Thick as a Brick” on side A and the “Wind-Up” encore section on side B. After a while, a second version of the LP with the same side A but with “Cross-Eyed Mary”, “A New Day Yesterday” and “Aqualung” on side B was pressed, liberating 25 minutes more from the show. ” (notes from a restoration project)

Track list:

01 Introduction
02 Thick as a Brick, Pt. 1 [cut during organ solo]
03 Jeffrey speaks
04 Cross-Eyed Mary
05 A New Day Yesterday
06 Aqualung
07 Ian speaks
08 Wind-Up [cuts in, piano intro edited out]
09 Instrumental by Martin Barre
10 Locomotive Breath
11 Hard Headed English General
12 Wind-Up (reprise)

**

While I believe that the WCF version with the blue title/number labels comes in a single sleeve with a slip sheet, there was also this ca. 1973 reissue in a folder but without an artist image on the back yet, likely a transitional phase between the insert and the deluxe folder covers.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

NROTPS NR 10 10 II

NROTPS NR 10 10

 

 

Released in 1972, as taped of a somewhat gritty FM radio broadcast taped at NYC’s Felt Forum on 5 December, 1971 (one of four nights at this venue) with NROTPS supporting the Grateful Dead.

Side A, track 2 is incorrectly titled. I don’t know the correct name but here is a link to listen to the full broadcast: https://archive.org/details/nrps1971-12-05.shnf

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Grateful Dead Felt Forum

Also exists with printed red “Laurie” labels, probably a nod to the 1950’s US record label (I don’t have a good image of this).

Grateful Dead Felt Forum yel lbl

Above, more incorrect track names, I guess the good folks at WCF weren’t hardcore Dead Heads.

The correct track list is:

A1 Brown Eyed Women
A2 Muddy Water
A3 Jack Straw
A4 Tennessee Jed
B1 Mr. Charlie
B2 El Paso
B3 Comes A Time
B4 One More Saturday Night
B5 Mexicali Blues

Strangely, HOT WACKS used to list this title under “CBMJ”. I have never seen a CBM copy of this title, in fact I know of only two GD titles on CBM: high time in old town (CBM 1020) and a Shalom labeled copy of the Mammary/TMOQ LP recorded LIVE in concert

Matrix: 101 A / B (shared with the Beatles – LAST LIVE SHOW release)

Link to the broadcast tape: https://archive.org/details/gd71-12-05.prefm.miller.3391.sbeok.shnf

For in depth reading: http://deadsources.blogspot.com/search?q=Felt+Forum

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Reissue of the NROTPS album 1973/4 in a folder style cover featuring an image of the performer(s) on the back:

NROTPS RE

NROTPS RE b

And the equivalent for the Dead album:

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This release became even more popular in the mid-70’s with this reissue ca. ’75/6 with a deluxe b&w cover :

**

There is also a fake Impossible Recordworks version (IMP8101):

Grateful Dead Karma City

This and the next WCF release DARK STAR were reissued (copied?) in this format on Karma City labels.

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The Perfect Quality label seems to have copied WCF/Berkeley’s album as disc 2 of this double album in the mid-1970’s (matrix #’s: 401-A/B/C/D):

Grateful Dead Double Dead

**

Finally, it was reissued as a picture disc by the same outfit that produced the Beatles Sweet Apple Trax volumes as picture discs, ca. 1979 (matrix: 101 A/B):

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All/most of the radio broadcast were made available in the late 1980’s on a European triple set

GD Felt 3

and on a 2015 unofficial 3 CD release. The shows from the 6th & 7th were officially released on CD in 2017.