Many months ago, I had created a post about a TAKRL Yes release that was based on this popular 1972 Dutch bootleg:
As time went by, I had forgotten that this was on the Offshore label (A LION PRODUCTION). When collecting the OG Japan master list, I found several Offshore releases and logically assumed that it must be a sub label they had created, like they did with Ado Records and their Beatles titles.
I still believe that this Beatles title shown here was made in Japan by OG:
However, I now believe that the above Yes title was never copied by OG in Japan and have since removed it from the OG master list of releases. So, how did OG get the idea to use that name for this Beatles album? And what a coincidence that the Dutch bootleggers in 1972 used a release number that fit perfectly into the three digit numbers (AND follows their first use of the Offshore name in BEATLES – LIVE AT SHEA STADIUM OG-718 – the Yes LP has 722) used by OG later? Not questions, I am expecting to find answers to anytime soon or perhaps even ever.
I would like to introduce the third Offshore LP I have listed at this point:
Coincidentally, # 732 also fits in nicely with all the other OG releases. This is the material I first reviewed as Ken had pirated it for his LAST HURRAH IN THE BIG APPLE (TAKRL 1914). This Offshore version of the official-but-withhdrawn-right-away LIVE! FEATURING JIMMY PAGE Epic LP from 1971 is also considered to be a pirate copy. Likely made ca. 1972 perhaps? Which would bring us back to the WHITE YES ALBUM – is there a connection between the two?
And here’s another interesting connection. One rare version for the above Yardbirds pirate LP has this label:
Now, to me, that looks like it was done by the same folks who had produced the CCR bootleg copy, I am still listing as an OG release:
So, how does this all fit together?