Monthly Archives: November 2013

Dylan GW Answers

I was aware of this very rare book, which forms the base of the website. Well, last night I stumbled over this three volume tome that someone put together:

dylan bb covers

VOLUME 1, 2 & 3



Now, this is a mouth full, as is the hefty asking minimum bid of almost $900 plus shipping from Italy. I’d love one but have to pass at this price.

Dylan B S M var

Above, variations found for TMoQ’s BURN SOME MORE


dylan bb 5


Another image showed all the found variations for the Idle Mind title # 1109: DYLAN , BAEZ & THE ROLLING THUNDER REVIEW and I added it to that entry plus a page for the 2 LP TMoQ BBC BROADCAST was moved to the Von Grossenshush label post for obvious reasons.

Bowie MRS dfl

Bowie MRS dfl 2


Bowie MRS Crash R

Narrow insert

Bowie MRS RR

Bowie MRS Canyon Recs f

Half-sized insert on a re-issue on Canyon Records

Bowie MRS Canyon Recs

Side 1:  Ziggy Stardust  (Sounds of the Seventies 11th or 18th January 1972) / Waiting For The Man (Sounds of the Seventies 11th or 18th January 1972) / The Supermen (Bob Harris show September 1971 ?) / Queen Bitch / (Sounds of the Seventies 11th or 18th January 1972) / Suffragette City – Top Gear May 1972

Side 2: White Light White Heat – Top Gear May 1972 / Hang Onto Yourself (Sounds of the Seventies 11th January 1972 or Top Gear May 1972) / Hang Onto Yourself / Moonage Daydream / Watch That Man [last 3 tracks Aladdin Sane Tour live at Long Beach Arena, 10 March 1973]

All the BBC tracks probably released on the official Bowie At The Beep.

It is relatively easy to date My Radio Sweetheart due to the dedication to Marc Bolan, who died on 17 September 1977. Note that the name of the record label is “tastefully” listed as “Crash Records”.



The live tracks were left overs from a mediocre sounding audience tape supplied by future bootlegger John Wizardo that he had lent out in 1973 to TMoQ, which released the following album from it in July of that year (I wonder if this was around the time that Take Linda Surfing and Miracle Muffler were made on Wizardo’s behalf by TMoQ?). It should be noted that by this time, TMoQ’s last contemporary release had been Bowie’s In America among a glut of releases presenting concerts/outtakes recorded at least two years ago or more. I can see Dub welcoming this new tape to satisfy buyers looking for something other than older Grateful Dead/Deep Purple or Hendrix. … Fast forward to late 1977 and Vicky Vinyl had some time to fill on her latest Bowie release and her old friend suggests the tracks that didn’t make it onto the TMoQ disc way back then…

Bowie TAAB insert

Bowie TAAB big pig

Bowie TAAB green lbl

This album still has held up well in value and still goes for a good price, even if the cover is Vg-, stained etc . I will eventually review the TMoQs but it needs some pre-studying unlike these other labels.


The following was taken from a reconstruction job of the Long Beach material available on both vinyl bootlegs:

David Bowie
Long Beach Arena
Long Beach California
March 10 1973 REMASTERED

Lineage: Vinyl LP’s “All American Bowie” & “My Radio Sweetheart Dual

This parial show is compiled from 2 lps of various quality.  I do not know the reasoning behind the packaging of these lps. Most of My Radio Sweetheart is from a Sound of The Seventies broadcast with the exception of the 3 tracks plus Ode To Joy from LB. The sound is different between the 2 sources

Flaws of All American Bowie
1. running order of tracks all over the map
2. fade ins
3. various sound quality
4. Aladin Sane picks up on Garsons solo

Flaws of My Radio Sweetheart
1. Speed problem
2. A lot of high end, bad eq job

The set list is probably not in order, it is presented this way without having to switch back and forth between sources as much.There is a lot of hiss on these sources, … .

Performance is fantastic. Rono as usual is on fire and Garson’s solo in Aladin Sane is insane.

Tracklisting: *from My Radio Sweetheart
01 ‘Ode To Joy’ Intro
02 Hang On To Yourself
03 Ziggy Stardust
04 Changes
05 Moonage Daydream
06 Watch That Man
07 Panic In Detroit
08 Five Years
09 Aladin Sane (comes in on Garson’s solo)
10 My Death
11 Width Of A Circle
12 Time
13 Suffragette City


Bowie Ziggy 2 II

Bowie ziggy 2 dfly

Bowie Ziggy 2 half

Bowie Ziggy 2 II

On 3rd of June 1971, David and his band, Mick Ronson, Trevor Bolder, Mick Woodmansey, Mark Carr Pritchett plus George Underwood, Dana Gillespie and Geoffrey Alexander (aka Geoffrey MacCormack) went into the BBC’s Paris Studio in Lower Regent Street, London, to record an episode for David Peel’s In Concert radio show. It was first broadcast on 20th June 1971 on Radio One from 7PM – 8PM and repeated three days later.

The recorded songs were: Queen Bitch / Bombers / The Supermen / Looking For A Friend / Almost Grown (lead vocals Geoffrey Alexander) / Kooks / Song For Bob Dylan (lead vocals George Underwood) / Andy Warhol (lead vocals Dana Gillespie) and It Ain’t Easy (lead vocals David Bowie, Geoffrey Alexander and George Underwood)

Other Info: The rehearsal and recording started at 15:30 and ended at 24:00 on 3rd June 1971. For ‘It Ain’t Easy’ David Bowie sings the first verse, Geoffrey Alexander sings the second and George Underwood sings the third. ‘Oh! You Pretty Things’ was also recorded but dropped from the broadcast due to time restrictions. The original master tape to this session has been lost or wiped.

Four tracks ‘Bombers’, ‘Looking For A Friend’, ‘Almost Grown’ and ‘Kooks’ also appeared on the 1988 ‘Bowie At The Beeb’ (Cat. No. CN 5155/S) set of three BBC Transcription Services discs backed with three sides of ‘Bolan At The Beeb’. [All of this info taken from

Ziggy 2 is rounded out by David’s short musical appearance on the last episode of Bolan’s TV show Marc, filmed on 7 September 1977, but not broadcast until after Bolan’s funeral on (20 September 1977), which was also attended by David Bowie.

COMMENTS: “A funny gig from BBC’s “In Concert” series, with Bowie and a couple of friends singing their favourite songs as well as songs from the coming album HUNKY DORY. A very interesting version is ANDY WARHOL sung by Dana Gillespie! The sound quality isn’t very good, and QUEEN BITCH is not complete. The last song is from the TV show Marc, and is very short.”



Last sealed copy on the planet, I’d say. Sealed in 1975 1976 – this is a second pressing – but looks surprisingly fresh.

Seller wrote: “Background on this album – we found two of these in a collection of about 18k records – most from the 60’s thru 80’s – of my wife’s uncle.  We live in the Vancouver area and believe both albums belonged to my wife’s Uncles. We know as brother’s (one 23 the other 17 – both hippies) with two friends they traveled to Seattle to watch George live.” So, both brothers found and bought the bootleg in 1975 after attending the concert and then kept them sealed among their ever growing collection.

I need to update the original listing for this. We know there were two versions, the 1 LP version, which only has some of the Seattle tracks and this one. The first 100 were numbered on the back, as shown here below:

Harrison 1974 detail

Harrison 1974 1 LP

The 1 LP version that sold for $1225 in September. I guess the seller already owned the double album. No back insert (did they have any?) and in VG+ shape around the edges.

It also seems that the “producers” were unsure what to call the album, as “Cry For A Shadow” appears prominently on the cover of the single LP version but only on the back insert of the second pressing.


Harrison bootleg collection

The 2 LP version as part of a Japanese Harrison bootleg vinyl collection.


I have a few questions here (with updates from March of 2015):

Were the single disc and the double LP released at the same time? – Answered: Apparently no. The numbered double LP came first (with no mention of “Cry For A Shadow”) followed by unnumbered version of a Seattle only single LP and a repressing of the double with that new sub-title.

Was there a run of 100 first pressings for the single LPs as well?- Answered: Apparently no.

And was there a second pressing for the single LP version as well? – Answered: There seems to have only been one pressing for the single LP, produced for the first West Coast Beatles Convention in July of 1976.

Hot Wacks wrote that the “second pressing of this double set was only 100 copies”, yet these do not seem to be numbered. Did they mix that up with the first pressing?

What are the total numbers in existence?

Were there only two pressings? – Answered: The answer seems to be ‘yes’.

Rolling Stones AMMusic

Listed as PQ4-11

Same content as TMoQ’s Winter Tour 1973 and Berkley’s Nicaraguan Benefit Concert


Rolling Stones MSG 1

Note the slightly different inserts. Without “1972” but with “Stereo” above and the other way around, below:

Rolling Stones MSG 2

“Perfect Quality” mentioned above the marijuana leaf logo.

Rolling Stones MSG 3

The content is probably identical with Madison and Mick’s Birthday Party.


These two releases were just pointed out to me – many thanks for that!

Found these images in my GLC folder:

Beatles Have You Heard The Word green insert

Already looking at these side by side, it becomes obvious that they were made by the same producers and probably as part of a run of re-issues within a limited time frame.

Jethro Tull My God!


The Who’s Who Are You (aka Mods & Rockers), better known fort the reissue with Ruthless Rhymes labels (some on red & blue PVC), which is even cataloged under GLC 414 and containing 16 tracks from their Philadelphia Spectrum KBFH recording from 4 December 1973:


WHO GLC 414 d

Other releases with GLC numbers are (the last two releases previously reviewed on this blog):

GLC 411: Rolling Stones – All Meat Music ?

GLC 412: Neil Young – Young & Old

GLC 413: Elton John – B-B-B-Benny – Live in London

GLC 415: Crosby Stills Nash and Young “we waited 3 years for this”


If you have any further examples of this label with the same design and in any color (not the block lettering found from 1983 onwards, which is much more common). please let me know.